Friday, November 25, 2011
Friday, November 18, 2011
11
DOES LIFE BEGIN AT 40?
GEORGE WEBBER: How is it feeling at 42?
SAMANTHA TAYLOR: 42, what?!
GEORGE WEBBER: What should be…years!
SAMANTHA TAYLOR: It depends. How do you feel?
GEORGE WEBBER: I feel betrayed.
SAMANTHA TAYLOR: Oh, really?
GEORGE WEBBER: Well, you know what they say. Yes, what they
say and who say it…that life begins at 40. I’ve already wasted two years, so I
realize that I’ve been deceived.
SAMANTHA TAYLOR: I don’t know. I think these two years have
been good.
GEORGE WEBBER: Oh, because you are only 38.
SAMANTHA TAYLOR: Lower your voice.
GEORGE WEBBER: Hey Sam, I want you to promise me one thing.
SAMANTHA TAYLOR: You will say…
GEORGE WEBBER: Never…never do surprise me with a party if…
SAMANTHA TAYLOR: Cheers!
GEORGE WEBBER: Understand me, I’m empty. I have to fill my
life.
—10, 1979, Blake Edwards.
LET ME TELL YA, John Lennon used to sing, “They say life begins at 40. Age is just a
state of mind. If all that’s true, you know that I’ve been dead for
thirty-nine.”
A couple of weeks ago, I watched the movie “10.”
George (Dudley Moore) is a Hollywood
songwriter, who goes through a mid-life crisis, so he starts staring at young
girls on the street and envies his high-living neighbor, causing great concern
to his lover, Samantha (Julie Andrews). One day while driving home, he spots
the most beautiful woman he’s ever seen, Jenny (Bo Derek). He decides to follow
her to Mexico ,
where she’s on her honeymoon with her husband.
If all men are entitled to pursue happiness by the
U.S. Declaration of Independence, and as Stendhal once said, “Beauty is the
promise of happiness,” I can’t blame the poor man. He’s just chasing the
Promised Happiness.
Drawing an analogy, if crisis strikes, should I move
to Silicon Valley—not the one where your brain gets stimulated, but where you
put silicon to different and never-thought zones of your body—, turn into a
beautiful barbie, buy a convertible car, and date hot toy boys?
Alas, my Dedicated Readers, we all go through life
stages, and crisis usually hits when we are plagued by feelings, aside from the
worldly worries, that life has no meaning and, on top of that, that life has an
irremediable end. And as getting older, if not solved, this feeling might get
pretty nasty, like carrying a ticking time bomb belt, which one day, for one
reason or another, will explode.
I got to thinking that there are no treasure maps, nor
guidelines; and the human being is so complex that what can serve to a person, that
same solution can be dangerous for another. Yet, one thing you got to admit, the
human being is a pretty damn good machine. The whir we hear is like the lights
flashing on the dashboard warning us “No gas, no gas, no gas...” And you know
what happen when your car is running out of gas, right?
To me, it has nothing to do with age. Life starts to
have a meaning when we live consciously and purposely, with personal integrity.
First and foremost, we should find out who we are,
what our values are, and live according to them. This long inner journey[1]
starts off when we stop running around like crazy—as Pascal said once, “All of
man’s unhappiness comes from an inability to stay in his room alone”—and stop
blaming everybody you may know—Also everybody you may not know[2]—and
look ourselves in the mirror, which, unlike your heart, doesn’t conceal secrets.
And from that point, we start letting go all our worries and walking up. Slowly
but steadily.
Let’s face it, it is not easy to be conscious 24/7.
Our mind tricks us into traveling from the past to the future. I read somewhere
that we should live in an apartment with a window overlooking a cemetery, in
order to recall us that there’s no ulterior reason to postpone life.
Once we know who we are, we will be aware of which
song we want to sing. So once identified our goals/purposes, we should
undertake the actions toward their achievement. Vaclav Havel, former president
of Czechoslovakia
and essayist and poet, put it that way, “It is not enough to stare up the
stairs, we must step up the stairs.” And it turns out that while stepping up
the stairs is when we feel that life has a meaning.
[1] Without an inner journey, life will never live up to our expectations, hopes, and desires.
[2] See, it’s really convenient to believe in Gods.
Copyright © 2011 by THE PYTHAGOREAN STORYTELLER. All rights
reserved.
Friday, November 11, 2011
10
THE SECOND CONSEQUENCE IS BETTER THAN THE FIRST.
JONAS CANTRELL:
The hard part isn’t making
the decision. It’s living with it.
—Law Abiding Citizen, 2009, F. Gary Gray.
LET ME TELL YA, undesired first-order consequences are the barriers we face up when we
are about to make a decision. If we were able to focus on second-order or
subsequent consequences, it would help us to achieve what we truly want in
life.
I explain it with three examples.
Dancing:
I’ve been a ballerina for fourteen years, and I
accomplished five years of ballet academy, missing the last one because my
ankles didn’t allow me to execute ten fouettés en tournant.
Setting aside the fact that I got good grades, it
became obvious to me from the very beginning that I had not talent to become a
professional ballerina. And that’s why, I guess, that thought never crossed my
mind.
Said all that, being a ballerina is a journey of an
indescribable beauty. A journey that not only makes you learn and grow but also
allows you to express yourself from the inner to the outer world. Yet you must be willing to tolerate some pain.1 Sometimes, great pain.
When I was a ballerina, I hated Mondays. I had to put
on the pointe shoes—I used to buy either Capezio or Freed—and practice at the barre, which meant to practice
some exercises to strengthen feet, improve flexibility, and find my ballon2. Meanwhile, I got slapped in my bum every now
and then because my position of feet, arms, stomach, head, or some of
them were inadequate. On the contrary, I loved Fridays. I used to dance
contemporary ballet (also modern ballet, flamenco, etc.). This form of dance
permits a greater range of movement, giving freedom to the performance. It does not mean you cannot dance
modern ballet if you have not performed classical ballet. Yet, your dance would
lack technique, grandeur, and stylized movements. In life, my Dear Readers, one must learn the
strict rules first (trying to avoid the bullshit, if possible) in order to
break them later. The same holds true for dancing. It implies to work on a
great share of hours at the barre.
I didn’t first take the decision to be a ballerina. My
Mom brought me to a dance school when I was two. From then until I moved to
another city to study my career, I had some thoughts on quitting many times,
above all, the times where there was no fun at all but just pain. It was hard
to go back home exhausted, eager to crawl into bed, but instead had to put my bleeding feet in warm, salty water and do
the homework.
So if I had responded negatively to the first-order
consequences, I would have missed the second and subsequent consequences, which
are:
Discipline.
Self-expression.
Creativity.
Tamed hard work and responsibility.
Flexibility and stylized figure.
Live in the Now-Here.
Inter alia.
Typewriting:
One summer when I was in high school I enrolled to a
typewriting course with two pals. It made sense for them because they wanted to
study a secretarial course. Not much for me, though. Yet, at the time, I
thought it could be useful to write the essays using the typewriter, until I
got bored for two hours hitting the keys. QWERTY POIUY
QWERT POIUY…
Life is a funny thing. I didn’t know I was training to
become a writer. Ha! So instead of hanging out and having fun with other
friends, I successfully kept going to that boring and mechanical classes. QWERTY POIUY QWERTY POIUY…
Now, I have some typing skills, and I understand that
everything we do (or almost) is meant to be for a useful reason.
Running:
As I told you in the last blog—What I talk about when I talk about running—, I keep running, although painful sometimes, because of
the second consequence. My heart pump-muscle strengthens; pulse slows; feet and
legs become strong and firm; it energizes me; and it is a form of
meditation and a particular way to discover myself.
(1) Which career doesn’t,
right?
(2) As the law of gravitation pulls things downward, have
you ever asked to yourself on the grounds of which law we should consider a
ballerina performing a grand jeté? Sorry, no points for guessing.
Copyright © 2011 by THE PYTHAGOREAN STORYTELLER. All rights reserved.
Friday, November 4, 2011
9
WHAT I TALK ABOUT WHEN I
TALK ABOUT RUNNING.
FORREST
GUMP: That day, for no particular reason, I decided to go for a little run.
So I ran to the end of the road. And when I got there, I thought maybe I’d run
to the end of town. And when I got there, I thought maybe I’d just run across Greenbow County . And I figured, since I run this
far, maybe I’d just run across the great state of Alabama . And that’s what I did. I ran clear
across Alabama .
For no particular reason, I just kept on going. I ran clear to the ocean. And
when I got there, I figured, since I’d gone this far, I might as well turn
around, just keep on going. When I got to another ocean, I figured, since I’d
gone this far, I might as well just turn back, keep right on going.
—Forrest Gump, 1994, Robert Zemeckis.
LET
ME TELL YA, Haruki Murakami and I have two things in common. We run. We write.1
The Japanese writer doesn’t
care much about the speed of the race. The same holds true for me. I’m happy
running a certain distance determined before starting the race. If I say today
I’ll run 2 miles—that’s what I usually do now, 10 miles per week, a total of 40
miles2 per month—, I have to stick to it, comes rain comes shine. On the contrary,
writing is a mystery for me. I can’t tell before hand, “Today I’ll write five
pages.” Every day I sit down at my desk, comes rain comes shine, though the
outcome is always unpredictable. One day I write ten pages, and another I place
a comma in the morning and delete it in the afternoon. It’s a mystery.
As one might imagine, my
face won’t appear on the front cover of Runner’s World, but I laugh hard when I remember my first short runs. Picture it:
red face, harsh breath, heavy heart pounding, and puffing non-stop. Like writing, I gradually
and patiently incorporated running into my daily routine, reaching a peak of 3
miles a day.
The ideas for my books come
to me unexpectedly: mostly when reading, writing, talking, or zipping down the
road. I usually run after five hours of writing, so I guess it’s quite normal that
some ideas cross my mind immediately afterward. Except if I listen to music on
shuffle. I like to listen to jazz or italian songs degli anni sessanta—che cosa c’èeee—, and if nobody glances at me,
I even do a step of dance.
There are days that I feel quite
lethargic, but I know I have to scanner that feeling and see if it is just due
to laziness. Believe me, the mind always creates excuses. My mission, though,
is to pronounce two words: shut up, followed by lacing up my running shoes
immediately afterward.
When I was a teenager, I
used to run long-distance races. It suited me. I’ve always thought I have a
great deal of stamina. Also in life. I could say I’m not a sprinter in life
either. Actually I don’t believe in sprinters. I can work hard and long without
any outer feedback, with no policeman behind. I just need the policeman to take
my butt off the chair. Unlike Murakami, I've never run the marathon, and even if sometimes I ponder over it, at least for doing it once in my lifetime, right now I am not physically capable of. I would need lots of training. Lots not, tons of training.
I run around the Jacqueline
Onassis Reservoir. I love the landscape. Those naked male torsos running around
are somewhat painkillers. Joking apart, when I walk in Central
Park , I feel in another dimension, surrounded by the greenery and
the still lake, and while running my retina snaps breathtaking pictures. Lately, it's crowded. Many runners have been training for the NYC Marathon, which will take place this coming Sunday. They call themselves marathoners, but suffice it to say that when it's drizzling, all weenies stay home watching The Simpsons. I wouldn't care to run all alone, but it prevents me from going to at dusk.
Running is not a smooth
sail. I feel the pain. Some days harder than others. So when Friday comes, I
shout “TGIF: Thank God, it’s Friday” and not because of writing stops—fortunately,
it doesn’t—but running does.
So you’ll ask, why the hell
you keep running?
Because of the second
consequence. I’ll talk about it soon. Stay tuned, folks!
And happy running,
marathoners!
(1)Notice, Dedicated Reader, I deliberately
omitted complements and adverbs with the sentences “We write” and “We run”.
They would destroy the truth that lies in the first sentence.
(2)I like to count the miles per month. It shows
me that I run almost two marathons monthly.
Copyright ©
2011 by THE PYTHAGOREAN STORYTELLER. All rights reserved.
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